“Grand prize,” the first music on Oscar DeLaughter’s self-titled debut, feels immediately acquainted in the means good music normally does. With breezy, Chic-y guitars and strutting horns, “Grand Prize” is a summer time jam that occurred to be launched in January, aiming for pre-Thriller Michael Jackson and touchdown someplace round Justin Timberlake’s “Suit & Tie.”
It’s an assured first effort for a child who simply turned 19, however not likely a shock coming from somebody who has been round music since he was born. “I was on the road, yeah, my first five years of my life, six years, seven years,” he says, sitting in a sales space at Char Bar on Lower Greenville on a February afternoon. “Once I got to be like 6 and 7, I was starting kindergarten and first grade, so it was more during the summers and breaks.”
If Oscar’s surname additionally feels immediately acquainted, it’s the purpose he was on a tour bus as a toddler. He is the son of Tim DeLaughter, who has been bouncing round phases with Tripping Daisy and The Polyphonic Spree since the early 1990s.
“Writing and all that is great. But performing, that’s where all the feeling and everything comes into play.”
But you gained’t get the similar spark of recognition from his music. Maybe—and certain provided that the connection beforehand—you may hear a little bit of the father’s quavering high-end on the spare, constructing “Lost.” Even then it’s important to form of squint together with your ears. There is not any avoiding mentioning the elder DeLaughter, however he in a short time fades into the background, an fascinating little bit of biography moderately than any direct affect on the music his son is making.
“When I’ve got something new or a song and I’ve already recorded it, I’ll show him and he’ll tell me, ‘Oh, I like it, that’s cool,’ and that’s about as far as it goes,” Oscar says. (His father’s largest impression was in all probability letting his son open up for the Spree’s annual Christmas live performance at the Majestic Theatre in 2016.)
Oscar began writing songs when he was 10 years previous. “I wouldn’t say that there was a bridge and a breakdown in every single song, but there was a verse and a chorus there,” he says. He started engaged on “Grand Prize” and “Lost” in 2016 at The Kitchen Studios on Garland Road, with producer John Painter. He took a 12 months off from attending Woodrow Wilson High School to focus on the recordings (he took programs on-line) earlier than returning for his senior 12 months. College is on maintain at the second, as he sees what occurs now that he lastly has music folks can hearken to. For one factor, he can carry out extra. He’s kicking off this month’s Homegrown Music and Arts Festival.
“It’s honestly my favorite part of it all,” he says. “Writing and all that is great and that just naturally happens, but performing, that’s where all the feeling and everything comes into play.”
Sitting throughout from him at Char Bar, it’s onerous to image him onstage. He seems similar to a standard child, not the suited-up man on the cowl of his EP. Still somebody’s son.