Aml Ameen Competes in a Poetry Slam


Aml Ameen stamped his toes towards the chilly outdoors the Nuyorican Poets Cafe. It was Wednesday, which meant an open mic poetry slam, and Mr. Ameen, 33, who stars in “Yardie,” a British crime drama directed by Idris Elba, wished to make his slam debut.

“I may not become the greatest poet who ever lived,” stated Mr. Ameen, who has been writing poetry since he was a teenager. But he thought he’d give it a attempt.

He had arrived an hour earlier than the 9 p.m. begin time and was fifth in line. The first 12 folks would safe slots in the slam; three different spots can be awarded by lottery. “I’m a bit nervous,” he stated, as he leaned towards a boarded-up constructing and huddled deeper into his pinstriped overcoat.

Behind him, the road grew to about 60 folks, snaking down East Third Street previous condo buildings, a put up workplace, the bodega on the nook of Avenue C.

In London, the place Mr. Ameen was born, folks on the road usually acknowledge him, principally for a starring flip as a troubled teenager in the 2006 British drama “Kidulthood,” sometimes for the dodgy police officer he played on “The Bill” (think “NYPD Blue,” but with nifty uniforms). In the East Village line, though, no one gave him a second glance.

“You end up sitting back inside yourself,” he said.

At the Nuyorican, he had no character to hide behind. He planned to recite an intensely personal poem. He had written the first half as a teenager, dreaming of fame. The second half, which ponders the deaths of close friends and the hazards of focusing only on his career, was composed earlier that week.

Just after 9 p.m., the doors opened and Mr. Ameen slid into the cafe, which occupies the narrow ground floor of a tenement building. He made his way down the central aisle, where the slam’s host, Jive Poetic, waited with the sign-up sheet.

The poets ahead of him had all chosen later slots, hoping for a warmed-up (read: wined-up) audience, but Mr. Ameen didn’t feel like waiting. He signed up for the fourth slot.

He was soon joined by his father, Bilal Ameen, and his father’s friend Lawrence Augustus (both had flown in from London to spend time with Mr. Ameen for “Yardie” promotional events). He settled them into chairs near the stage and brought them cups of red wine. His father immediately turned to the two young women behind him to talk up his son.

“He’s just making himself comfortable,” Mr. Ameen said, as he headed back to the bar for his own cup of wine, “to strengthen myself.” Then he hunkered near the exit, head bent, eyes closed, lips moving silently as he practiced his poem. He absently stroked his goatee, as the club’s lights flashed off his skin.

The first three poets took the stage, scoring 23.9, 21.2 and 27.4. Then it was his turn. He shook out his nerves and loped up the aisle, smiling out at the crowd like they were his new best friends, and reciting from memory a rough pentameter:

“Excuse me while I fantasize on my dreams.

Bright light fancy cars and email screams.

People loving and respecting my name,

What I’m searching for, could it be fame.”

He continued to the second part. “Those were simple flows of a 17-year-old,” he said, before transitioning to the second part, a sober reflection of his “five broken hearts” and a friend’s thoughts of suicide. He finished:

“Dear sis,

Please don’t leave me, like Uncle Leo just did.

I promise you, give me five more years,

I’ll achieve some of things we discussed as kids.

He stepped off the stage to snaps and whoops. The judges raised their cards: 6.9, 8.3, 9.5 — a total of 24.7. Respectable.

Mr. Ameen stayed for several more poets, and it became clear he would not advance to the next round. He slipped out at around 11 p.m. Missing the semifinals, he said, didn’t faze him.

“It felt personal, and it felt very honest,” he said, as he pulled on a beanie. He hadn’t gone method. He had just been himself. “A good, good feeling.”



Source link Nytimes.com

Leave a Reply

Your email address will not be published. Required fields are marked *